“I wish you would always be yourself, as you are now,” she said, “and never pose.” Suddenly the vision of old Chelsea Church rose up before her with its little motherly old pew-opener. She had so often been meaning to go and see her again, but something had always interfered. She hunted through her drawers and found a comparatively sober-coloured shawl, and tucked it under her cloak. The service was just commencing when she reached the church. Mary Stopperton showed her into a seat and evidently remembered her. “I want to see you afterwards,” she whispered; and Mary Stopperton had smiled and nodded. The service, with its need for being continually upon the move, bored her; she was not in the mood for it. And the sermon, preached by a young curate who had not yet got over his Oxford drawl, was uninteresting. She had half hoped that the wheezy old clergyman, who had preached about Calvary on the evening she had first visited the church, would be there again. She wondered what had become of him, and if it were really a fact that she had known him when she was a child, or only her fancy. It was strange how vividly her memory of him seemed to pervade the little church. She had the feeling he was watching her from the shadows. She waited for Mary in the vestibule, and gave her the shawl, making her swear on the big key of the church door that she would wear it herself and not give it away. The little old pew-opener’s pink and white face flushed with delight as she took it, and the thin, work-worn hands fingered it admiringly. “But I may lend it?” she pleaded.!

He asked her questions about herself. But she could see that he was tired; so she told him it was too important a matter to start upon so late. She would talk about herself to-morrow. It would be Sunday. She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.

The words made no immediate impression upon Joan. There had been rumours, threatenings and alarms, newspaper talk. But so there had been before. It would come one day: the world war that one felt was gathering in the air; that would burst like a second deluge on the nations. But it would not be in our time: it was too big. A way out would be found. “Thank you,” she answered. “He would think it kind of you, I know.” “I’m so awfully sorry,” he said. “I’ve been talking to you as if you were a public meeting. I’m afraid I’m more used to them than I am to women. Please forgive me.”